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Though the focus of the project is the Holocaust and the World War II period, some of the films depict Jewish life before the war and some, though not any of the ones embedded here, show the liberation of concentration camps in Austria. In one scene a Nazi soldier questions Baker’s wife, who was not Jewish, as she tries to enter a building. In between shots of his family, he filmed marching Nazi soldiers and buildings defaced with the word “Jude,” German for Jew. Ross Baker was an American professor on sabbatical at the University of Vienna when the Nazis occupied the city. Anyone looking for footage of a specific person or a particular location can search all the films with one click. By cross-checking what is known about the period from newspapers and official documents, the archivists were able to add great detail and expand what viewers can glean from watching the historical footage.īeyond that, the project team made it possible for users to overlay photos of what the locations look like today, giving an added relevancy to the films.
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Rather than just being a staid archive, t he site offers detailed information about each frame, including the precise location and an approximate date of the scene. “The idea was to represent the subjects of the time period and challenge the perception of what it was like to be in Nazi Austria,” says Zarwell.Īs a part of the project, the archival team repaired each film to its original state, then transferred them to a machine that scanned and photographed individual frames of each film, finally stitching them all together in a single digital video file that lives on the project’s website.
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Lindsay Zarwell, archivist at the Steven Spielberg Film and Video Archive at the Holocaust museum, led the charge here in the United States. And the filmmakers included in this collection represent several nationalities, including Americans. The project includes footage from home movies, advertisements, newsreels and other unofficial films. They are given that name because they weren’t created to be entertainment, art or propaganda – they were never meant to stand the test of time. These raw movies aren’t called ephemeral because they may soon not exist (though without proper conservation, they won’t). Some of the 50 films were home movies, others were donated by families of the filmmakers who were curious to know what was on the film, but lacked the resources to actually watch it. The project is pulling together films that focus on the rise of Nazism and its role in Jewish and non-Jewish life in Austria. This film and the others embedded here are just a selection of the 50 movies that make up the “ Ephemeral Films Project: National Socialism in Austria”, a collaboration of the United States Holocaust Memorial Museum, the Austrian Film Museum and the Ludwig Boltzmann Institute.
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Two additional games that were influential were GoldenEye 007 (1997) and the Halo series (2001) both available on gaming console.Īs shooters are a type of high adrenaline skill-based game with multiplayer possibilities, they were influential in the growing popularity of esports.Though these chilling images set the ideal opening scene for a Hollywood-produced drama, they were actually shot in 1938 by an amateur cameraman. Counter-Strike popularized the multiplayer first-person shooter genre that remains popular today.
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In 1999, the now-famous mod titled Counter-Strike was released for free and became more popular than the underlying half-life game engine it relied on.
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Half-Life 2 became a popular platform for adding mods or modifications to the game. The sequel Half-Life 2 was released in 2004 adding impressive storylines and puzzle elements. Later in 1998 the game Half-Life offered improved graphic and true 3D.
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Doom featured pseudo-3D graphics and item drops in maze-like levels full of monsters.
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The FPS genre was popularized in 1993 with the famous Doom game for personal computers running the MS-DOS command line operating system. As these games feature firearms and movement, the parent category is action games. First-person shooters (FPS) are a subgenre of shooting games and feature a point of view where the players see through the eyes of the game character.
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